Matrimonio religioso (y separación) de Julio Santo Domingo III y Nieves Zuberbühler

La boda fue facturada en Vogue.com
Nieves Zuberbühler Wears Brandon Maxwell to Wed Julio Santo Domingo in a Halloween-Theme Wedding
http://www.vogue.com/13498599/nieve...ingo-brandon-maxwell-dress-halloween-wedding/

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Realmente, el vestido antes de ser alterado es precioso! Un excelente trabajo de la parte de Brandon Maxwell.

Halloween weddings aren’t for the faint of heart. Deciding to forgo tradition and embrace the otherworldly on the big day is a commitment almost as monumental as the vows being exchanged (just kidding . . . sort of). But, friends weren’t surprised when Argentinian reporter Nieves Zuberbühler and DJ/brewery heir Julio Mario Santo Domingo III decided to marry in a masquerade-theme wedding on the weekend before All Hallows’ Eve. The social couple loves a good time. So while guests were decked out in all manner of costumes and masks—ranging from a mystical-looking unicorn (Fabiola Beracasa Beckman) to Cher, circa the 1986 Academy Awards (Giovanna Battaglia Engelbert)—the bride was the picture of elegance in an off-the-shoulder dress made of 250 yards of satin-faced chiffon designed by her dear friend Brandon Maxwell. It had a dramatic 10-foot-long train and was complemented by a veil that was comprised of 10 yards of silk tulle. Every inch of the regal look was hand-stitched.

“My designing the dress came up casually while initially discussing the wedding and was a very organic process,” explains Maxwell. “Nieves and I have collaborated on several other looks in the past, and we have a very trusting relationship—working on this dress was a natural extension of that.”

As her favorite designer, Maxwell was a very natural choice for Nieves. “He’s also a talented stylist and photographer, so he planned every single detail—my hair, my jewelry, my makeup. It was a real treat to share this moment in my life with him,” explains the bride. “I think he has the best taste, so working with him made me very happy and gave me a lot of peace.”

Despite the fact that it was a Halloween wedding, Nieves always knew she wanted to be a proper bride. “I’ll have many opportunities to wear fantastic costumes, but this was the only chance I’ll ever have to be a bride,” she says. “If I had walked down the aisle wearing a costume, I would have regretted it forever. I wanted something romantic, inspired by Pre-Raphaelite art.” Maxwell drew inspiration for the dress from his subject. “Nieves and Julio are the most outgoing couple,” says the designer. “It was important to me that she feel like a bride, but there were also elements of grandeur and fun.”

Nieves had nine fittings that took several hours each, and Maxwell built the dress around her. “The silhouette was purely Brandon’s idea,” says Nieves. “I only sent him a few photos of what I liked and told him vaguely the concepts I had in mind, but after that, I was completely in his hands.” The bride made an effort not to interfere with the creative process. “Ultimately, I wanted this look to reflect the way I see her, which is ethereal, sweet, and deeply beautiful inside and out,” explains Maxwell.

The ceremony took place at the Visitation of the Blessed Virgin Mary Parish in Red Hook, Brooklyn, with a party to follow at Pioneer Works. Throughout the night, the dress was altered for mobility and dancing. “The original plan was for me to change into another look right after the ceremony. The train on my wedding dress was so long that I knew I wouldn’t be able to walk around and dance during the party,” says Nieves. “Then, I fell so in love with Brandon’s dress that the idea of wearing it only for the ceremony made me really sad. Changing would have been the worst moment of the night! At the same time, I felt bad asking him to cut it, as I knew how much work had gone into it. But, Brandon agreed to do whatever made me happy.” So, “we cut it twice!” says Maxwell. “After the ceremony, we added shoulder straps and chopped off the train and sleeves. And then, at around 1:00 a.m., we made it into a minidress so she could wear her light-up shoes!”

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La abuela, una de las viejas mas distinguidas de la Argentina, Malena Nelson Hunter de Blaquier se dice desde tiempos inmemoriales que tuvo una aventura con Felipe de Edimburgo cuando visito Argentina solo, sin Elizabeth, disfrutando a sus anchas
Estos no son los Blaquier que tienen mas plata, esos son los hijos de Nelly Arrieta de Blaquier
Lo que tienen estos es una estancia famosa "La Concepcion" donde Felipe jugo al polo y otras cosillas
Pero como son 40 y la madre si algun dia la tienen que repartir no se cuanto les quedara

Los multimillonarios muchas veces necesitan un poco de alcurnia... Hay miles de ejemplos!
 
Me parece una barbaridad hacer semejante burla en una ceremonia religiosa.

Opino lo mismo. Al cura le han debido dar un cheque en blanco para que permita semejante aberración dentro de la iglesia.....yo soy el Papa y pongo el grito en el cielo.............andan prohibiendo esparcir las cenizas de los difuntos donde uno quiera y después permiten que una pandilla de millonarios haga semejante circo dentro de un recinto religioso..........
 
Stavros Niarchos, Pc Valmorbida
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Bianca Brandolini
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Vladimir y Julia Restoin Roitfeld
En vez de champaña lo que circulaba en esa fiesta era mucha cocaína y heroina
 
La boda fue facturada en Vogue.com
Nieves Zuberbühler Wears Brandon Maxwell to Wed Julio Santo Domingo in a Halloween-Theme Wedding
http://www.vogue.com/13498599/nieve...ingo-brandon-maxwell-dress-halloween-wedding/

Ver el archivo adjunto 445477
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Ver el archivo adjunto 445483
Ver el archivo adjunto 445484 Ver el archivo adjunto 445485
Realmente, el vestido antes de ser alterado es precioso! Un excelente trabajo de la parte de Brandon Maxwell.

Halloween weddings aren’t for the faint of heart. Deciding to forgo tradition and embrace the otherworldly on the big day is a commitment almost as monumental as the vows being exchanged (just kidding . . . sort of). But, friends weren’t surprised when Argentinian reporter Nieves Zuberbühler and DJ/brewery heir Julio Mario Santo Domingo III decided to marry in a masquerade-theme wedding on the weekend before All Hallows’ Eve. The social couple loves a good time. So while guests were decked out in all manner of costumes and masks—ranging from a mystical-looking unicorn (Fabiola Beracasa Beckman) to Cher, circa the 1986 Academy Awards (Giovanna Battaglia Engelbert)—the bride was the picture of elegance in an off-the-shoulder dress made of 250 yards of satin-faced chiffon designed by her dear friend Brandon Maxwell. It had a dramatic 10-foot-long train and was complemented by a veil that was comprised of 10 yards of silk tulle. Every inch of the regal look was hand-stitched.

“My designing the dress came up casually while initially discussing the wedding and was a very organic process,” explains Maxwell. “Nieves and I have collaborated on several other looks in the past, and we have a very trusting relationship—working on this dress was a natural extension of that.”

As her favorite designer, Maxwell was a very natural choice for Nieves. “He’s also a talented stylist and photographer, so he planned every single detail—my hair, my jewelry, my makeup. It was a real treat to share this moment in my life with him,” explains the bride. “I think he has the best taste, so working with him made me very happy and gave me a lot of peace.”

Despite the fact that it was a Halloween wedding, Nieves always knew she wanted to be a proper bride. “I’ll have many opportunities to wear fantastic costumes, but this was the only chance I’ll ever have to be a bride,” she says. “If I had walked down the aisle wearing a costume, I would have regretted it forever. I wanted something romantic, inspired by Pre-Raphaelite art.” Maxwell drew inspiration for the dress from his subject. “Nieves and Julio are the most outgoing couple,” says the designer. “It was important to me that she feel like a bride, but there were also elements of grandeur and fun.”

Nieves had nine fittings that took several hours each, and Maxwell built the dress around her. “The silhouette was purely Brandon’s idea,” says Nieves. “I only sent him a few photos of what I liked and told him vaguely the concepts I had in mind, but after that, I was completely in his hands.” The bride made an effort not to interfere with the creative process. “Ultimately, I wanted this look to reflect the way I see her, which is ethereal, sweet, and deeply beautiful inside and out,” explains Maxwell.

The ceremony took place at the Visitation of the Blessed Virgin Mary Parish in Red Hook, Brooklyn, with a party to follow at Pioneer Works. Throughout the night, the dress was altered for mobility and dancing. “The original plan was for me to change into another look right after the ceremony. The train on my wedding dress was so long that I knew I wouldn’t be able to walk around and dance during the party,” says Nieves. “Then, I fell so in love with Brandon’s dress that the idea of wearing it only for the ceremony made me really sad. Changing would have been the worst moment of the night! At the same time, I felt bad asking him to cut it, as I knew how much work had gone into it. But, Brandon agreed to do whatever made me happy.” So, “we cut it twice!” says Maxwell. “After the ceremony, we added shoulder straps and chopped off the train and sleeves. And then, at around 1:00 a.m., we made it into a minidress so she could wear her light-up shoes!”

Ver el archivo adjunto 445488
Me parece muy bonito el vestido. El escote me gusta y la falda preciosa. Para haberlo lucido toda la velada y no dejarlo en esa minifalda etc. Que puede ponerse lo que quiera, claro está,y además le sienta bien lo que se ponga con ese tipazo. Pero...una pena el cambio de look.
 
Los multimillonarios muchas veces necesitan un poco de alcurnia... Hay miles de ejemplos!

¿Quién le da alcurnia a quién? La familia paterna del novio lleva tantos años de riqueza como los Blaquier, pero en su país. Hace años que son ricos globales, íntimos de los Kissinger y toda la elite neoyorquina. El abuelo Julio Mario tenía una hermana casada con un Milá, de la rica familia catalana. Y su mujer es prima de Inés de la Fresange. Malena de Blaquier tenía muchas historias, pero el viejo Santo domingo también: Amigo de juventud de García Márquez y gran operador político. Y la abuela paterna del novio fue cuñada de Getulio Vargas, el presidente más importante de la historia de Brasil hasta ahora. De la familia materna del novio se sabe poco, sólo que son ricos paulistas. Y teniendo en cuenta que Brasil fue centro del imperio portugués, no sería de extrañar que tengan un siglo de riqueza detrás. El novio es feo, pero no le falta dinero, ni alcurnia (en términos latinoamericanos) y menos ahora que es pariente de una familia real y de la más rancia nobleza británica. ¿Qué pueden darle los Blaquier a los Santo domingo que ya no tengan?
 
Última edición:
La boda fue facturada en Vogue.com
Nieves Zuberbühler Wears Brandon Maxwell to Wed Julio Santo Domingo in a Halloween-Theme Wedding
http://www.vogue.com/13498599/nieve...ingo-brandon-maxwell-dress-halloween-wedding/

Ver el archivo adjunto 445477
Ver el archivo adjunto 445478
Ver el archivo adjunto 445479
Ver el archivo adjunto 445481
Ver el archivo adjunto 445482
Ver el archivo adjunto 445483
Ver el archivo adjunto 445484 Ver el archivo adjunto 445485
Realmente, el vestido antes de ser alterado es precioso! Un excelente trabajo de la parte de Brandon Maxwell.

Halloween weddings aren’t for the faint of heart. Deciding to forgo tradition and embrace the otherworldly on the big day is a commitment almost as monumental as the vows being exchanged (just kidding . . . sort of). But, friends weren’t surprised when Argentinian reporter Nieves Zuberbühler and DJ/brewery heir Julio Mario Santo Domingo III decided to marry in a masquerade-theme wedding on the weekend before All Hallows’ Eve. The social couple loves a good time. So while guests were decked out in all manner of costumes and masks—ranging from a mystical-looking unicorn (Fabiola Beracasa Beckman) to Cher, circa the 1986 Academy Awards (Giovanna Battaglia Engelbert)—the bride was the picture of elegance in an off-the-shoulder dress made of 250 yards of satin-faced chiffon designed by her dear friend Brandon Maxwell. It had a dramatic 10-foot-long train and was complemented by a veil that was comprised of 10 yards of silk tulle. Every inch of the regal look was hand-stitched.

“My designing the dress came up casually while initially discussing the wedding and was a very organic process,” explains Maxwell. “Nieves and I have collaborated on several other looks in the past, and we have a very trusting relationship—working on this dress was a natural extension of that.”

As her favorite designer, Maxwell was a very natural choice for Nieves. “He’s also a talented stylist and photographer, so he planned every single detail—my hair, my jewelry, my makeup. It was a real treat to share this moment in my life with him,” explains the bride. “I think he has the best taste, so working with him made me very happy and gave me a lot of peace.”

Despite the fact that it was a Halloween wedding, Nieves always knew she wanted to be a proper bride. “I’ll have many opportunities to wear fantastic costumes, but this was the only chance I’ll ever have to be a bride,” she says. “If I had walked down the aisle wearing a costume, I would have regretted it forever. I wanted something romantic, inspired by Pre-Raphaelite art.” Maxwell drew inspiration for the dress from his subject. “Nieves and Julio are the most outgoing couple,” says the designer. “It was important to me that she feel like a bride, but there were also elements of grandeur and fun.”

Nieves had nine fittings that took several hours each, and Maxwell built the dress around her. “The silhouette was purely Brandon’s idea,” says Nieves. “I only sent him a few photos of what I liked and told him vaguely the concepts I had in mind, but after that, I was completely in his hands.” The bride made an effort not to interfere with the creative process. “Ultimately, I wanted this look to reflect the way I see her, which is ethereal, sweet, and deeply beautiful inside and out,” explains Maxwell.

The ceremony took place at the Visitation of the Blessed Virgin Mary Parish in Red Hook, Brooklyn, with a party to follow at Pioneer Works. Throughout the night, the dress was altered for mobility and dancing. “The original plan was for me to change into another look right after the ceremony. The train on my wedding dress was so long that I knew I wouldn’t be able to walk around and dance during the party,” says Nieves. “Then, I fell so in love with Brandon’s dress that the idea of wearing it only for the ceremony made me really sad. Changing would have been the worst moment of the night! At the same time, I felt bad asking him to cut it, as I knew how much work had gone into it. But, Brandon agreed to do whatever made me happy.” So, “we cut it twice!” says Maxwell. “After the ceremony, we added shoulder straps and chopped off the train and sleeves. And then, at around 1:00 a.m., we made it into a minidress so she could wear her light-up shoes!”

Ver el archivo adjunto 445488

¡Que manera de cag...el vestido! Esas piernitas en esos zancos son un horror.
 
Me parece muy bonito el vestido. El escote me gusta y la falda preciosa. Para haberlo lucido toda la velada y no dejarlo en esa minifalda etc. Que puede ponerse lo que quiera, claro está,y además le sienta bien lo que se ponga con ese tipazo. Pero...una pena el cambio de look.
Lo penoso no es el cambio de look ( a mi parecer) lo penoso para mi fue haber cortado el vestido!!!
 
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